On 7 May 1964, a gaggle of excited  passengers alighted on to a rainy disused railway station platform in  south Manchester and took their seats for what one of the city's leading  music academics says was a "massively culturally significant" gig. The  show at Whalley Range's Wilbraham Road station, recorded for Granada TV  as the Blues and Gospel Train, saw greats including Muddy Waters and  Sister Rosetta Tharpe perform.
The University of Salford's Dr  Chris Lee says the show "influenced nearly everyone who saw it" and was  as important as the Sex Pistols' 1976 show at the city's Lesser Free  Trade Hall, which spurred attendees Morrissey, Mark E Smith and the  musicians who would become Joy Division and Buzzcocks into action. The  gig was born out of the Blues and Gospel Tour, which was touring Europe  for a second year running, having made its debut in 1963.
The  line-up was the stuff of musical legend - alongside Waters and Tharpe  were Sonny Terry and Brownie McGhee, Cousin Joe, Otis Spann and the  Reverend Gary Davis. But while in 1964, the tour was a hit across the country, Dr Lee says the previous year the only British stop was in Manchester.
'Country catching up'
That, he says, is exactly why the TV programme came to be made in the city. "Manchester was the hottest blues and jazz scene in the country and we already had a very big R'n'B appreciation scene. "The  Twisted Wheel [nightclub] had been operating since 1961, playing more  or less all urban black music and concerts at the Free Trade Hall were  always sold out. 
In fact, Manchester was the only place that  took the first tour in 1963 -
 what many people don't know is that a  minibus came from London to that show and in it were Eric Clapton, Jeff  Beck, Keith Richards and Brian Jones. They came all that way just to  watch the concert. "So by 1964, the country was catching up with Manchester. "Johnnie  Hamp, the legendary Granada TV producer, had booked them the year  before and did so again, only this time instead of it being in a studio,  he had the great idea of staging it in a disused train station in south  Manchester."
'Outstanding memory'
Mr  Hamp himself says the idea for the station set rolled out of an early  show he had done, in which he hired three trains as a backdrop for  Little Eva's The Locomotion."Hiring them meant I had a  relationship with the railways, so when we decided to do the second  blues show outside of a studio, they tipped me off to the derelict  station. "I asked if they could throw in a train as well, which we  dressed with a cow-catcher and such like, and everything fell into  place.
"Of course, the imagery of the trains, the whistle blowing in the distance, is one that is long associated with the blues."
The  station was dressed up to look like one from the American South, but  typically for Manchester, the weather did not echo that area's dustbowl  conditions.
Shortly after the train which carried the audience the  few miles south from Manchester's city centre pulled in, a storm lashed  the station. Sister Rosetta couldn't believe she was brought to the stage in a horse-drawn carriage - she was used to limousines. Mr Hamp says the downpour would have been his worst memory of the show had it not led to his best. "Sister Rosetta came to me and asked if she could change her opening number to Didn't It Rain?," he said. "When she strapped on her guitar, it was astounding."
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http://www.bbc.co.uk/news/uk-england-manchester-27256401